A new production in collaboration with the Manchester Royal Exchange's Leigh Ambassadors group at Spinners Mill for family audiences, inspired by real historical events.
In addition to support from King's College London and Sussex University, this production is made possible by a generous commission from the Manchester Royal Exchange, and will feature as part of their Den pop-up festival.
Listen to an episode of the Exchange's podcast Connecting Tales discussing the show, with Tom, Elliott, and Leigh Ambassador (and part time ghost) Mike Burwin.
Emma Bradburn, intern for the ‘Civic Theatres: A Place for Towns’ research project wrote an account of the show on her blog.
The Digital Ghost begins when a normal school assembly was interrupted by Deputy Undersecretary Quill from the Ministry of Real Paranormal Hygiene, there to recruit the school’s Year 5 class into the Department’s Ghost Removal Section. She tells them it’s due to their unique ability to see and interact with ghostly spirits.
Under the tutelage of Deputy Undersecretary Quill and Professor Bray, the Ministry’s chief scientist, the young ghost hunters must track down the Battersea Arts Centre ghost by learning how to program their own paranormal detectors. Their devices – made from two microcomputers, a Raspberry Pi and a Micro:bit – allow the children to identify objects and locations touched by the ghost. Each has different capabilities, forcing the classmates to work together to discover ghostly traces, translate Morse code using flickering lights and find messages left in ectoplasm, or ultraviolet paint. Meanwhile, the ghost communicates through a mixture of traditional theatrical effects and the poltergeist potential of smart home technology. Together, the pupils unravel the mystery of the ghost's haunting and help to set it free.
A scratch of The Digital Ghost Hunt was performed at the Battersea Arts Centre in November, 2018, funded by the Arts & Humanities Research Council's Next Generation of Immersive Experiences program.
The project was given further funding from the AHRC for impact & engagement in 2019 to adapt the show into a family experience, in collaboration with Pilot Theatre. A limited, sold-out run of the show premiered at the York Theatre Royal's 275th anniversary in August 2019.
On All Souls Day 2019 the project performed a museum-late experience in partnership with the Garden Museum in London. This new format sent young ghost hunters up a medieveal clocktower and digging for clues in the gardens of the 14th century St. Mary at Lambeth church.
The SEEK Ghost Detector is a Micro:bit connected to a DecaWave DWM1001-DEV Ultra wideband radio, housed in a custom designed laser cut shell. The Micro:bit served as an accessible controller that students can program. By using Ultra-wideband Radio for indoor positioning, we leaving ghostly trails in Mixed Reality (MR) space for the students to find and interpret. There were four different detector types, all with different functions: detecting ghostly energy, translating Morse code when the ghost flashed the lights, and translating signs left by the ghost in Ultraviolet Ectoplasm.
The custom library that the students used to program their Micro:bits was written in MakeCode and C++ (available on Github.) An earlier mark 1 detector that used a Raspberry Pi was written in Python 3 (available in the Ghosthunter library on Github)
Louisa Hollway
Hemi Yeroham
Michael Cusick
Stories about unannounced visits and unsolicited parenting or lifestyle advice.
While the search for a viral "bad mother-in-law" update can be compelling, the most valuable "updates" are those we apply to our own lives. The key to navigating a difficult mother-in-law isn't going viral, but rather building a resilient marriage that can withstand external pressures.
Unlike creators who narrate anonymous Reddit scripts, Megan struck gold by sharing her firsthand experiences dealing with an incredibly intrusive, manipulative, and hostile mother-in-law (MIL). Her candid storytelling style, paired with relatable frustration, quickly turned her personal life into a highly watched episodic series for millions of viewers. The Core Conflict: The "Bad Mother-in-Law" Saga
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Constant "advice" that feels more like an attack on Megan’s ability to raise her children.
Detailed breakdowns of tense moments during major family milestones and holiday gatherings. Unlike creators who narrate anonymous Reddit scripts, Megan
But why is this content so popular? For many, these stories offer validation for their own struggles. For others, it’s compelling "social media theater" that provides a safe space to analyze conflict from a distance. This points to a larger cultural shift where private battles are increasingly being fought in the public square.
This article explores the breakdown of the ImMeganLive viral saga, the psychology behind the toxic dynamic, and how to deal with an overbearing mother-in-law. The Anatomy of the ImMeganLive Viral Saga
The massive traffic surrounding the "ImmEganLive bad mother-in-law" videos highlights a broader internet phenomenon. For many viewers, watching creators like Egan navigate these toxic dynamics is incredibly validating. Constant "advice" that feels more like an attack
Classic flashpoints of tension where the mother-in-law attempted to hijack major family milestones and celebrations. Anatomy of an "Upd" (Update) Video
Because this keyword is highly searched, many spam accounts and compilation channels re-upload Megan's content with misleading titles to steal views.
: The handle is associated with snippets of miniseries and short dramas on platforms like TikTok. These stories often feature exaggerated "toxic" in-law archetypes to drive engagement and viewer emotional response.
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The suffix "upd" suggests an ongoing story with a public hungry for the next chapter. This reflects a broader trend where personal grievances are aired publicly, often as serialized content. Creators share intimate details, building a community that invests in their narrative and eagerly awaits the next development.