Seriado Capitu - Luis Fernado De Carvalho _top_ Jun 2026

Atua como o narrador e a versão madura do protagonista. Melamed confere a Casmurro uma intensidade quase espectral, vagando pelos cenários da própria juventude como um fantasma condenado a reviver seus ciúmes.

For decades, popular culture condemned Capitu. Carvalho restores her dignity. By creating a seriado dedicated solely to her presence, he argues that she is the protagonist. Whether guilty or innocent, she is more interesting than the bitter Bentinho.

Isso tira Machado da redoma do academicismo. Ao invés de tratar o autor como um monumento intocável, a série o traz para a terra, para o calor, para o popular. A linguagem é respeitada, mas a forma de contar é moderna, ágil e, por vezes, teatral. O elenco coadjuvante — com destaque para Wanessa Camargo (uma surpresa como Ezequiel adulto), Fellipe Marques (Bentinho jovem) e Luci Pereira (a inesquecível Mãe de Bentinho) — navega por esse tom de "farsa trágica" com maestria. Seriado Capitu - Luis Fernado de Carvalho

Delivers a haunting performance as the older "Casmurro," physically manifesting the bitterness of a man consumed by doubt. Artistic Impact

As the older Bentinho, Melamed is a revelation. He embodies the title character not as a typical gentleman but as a melancholic, sour, and slightly pathetic clown, wandering through his own memories as a spectral observer. Maria Fernanda Cândido's Capitu, by contrast, is enigmatic and magnetic—the eternal mystery that obsesses her husband. This destabilizing effect, where the spectator sees Bentinho physically interact with his own past, was Carvalho's deliberate device to translate Machado's ironic, untrustworthy narrative directly to the screen. Atua como o narrador e a versão madura do protagonista

: A produção traduz visualmente a mente perturbada e cáustica de Bento Santiago (interpretado na idade madura por Michel Melamed ). O telespectador é jogado para dentro de suas memórias flutuantes, onde o passado lírico e o presente amargo coexistem no mesmo espaço físico. Estética Barroca, Teatralidade e Sustentabilidade

The 2008 miniseries , directed by Luiz Fernando Carvalho , is widely regarded as a milestone in Brazilian television. Produced by Rede Globo as part of the project, it served as a tribute to the centenary of Machado de Assis’s death, adapting his masterpiece novel Dom Casmurro Carvalho restores her dignity

When we think of Dom Casmurro , the immortal 1899 novel by Brazilian literary giant Machado de Assis, one image inevitably comes to mind: Capitu. Specifically, Capitu’s eyes. For over a century, readers have debated whether her "eyes of a ressaca" (undertow eyes) prove her infidelity to the narrator, Bentinho.

The series consists of multiple portraits, sketches, and studies of the same woman, yet each one feels different. In some frames, Capitu looks directly at the viewer with a defiant, almost mocking honesty. In others, she looks away, shrouded in shadow, her lips sealed in a silent secret. Carvalho masterfully uses the ambiguity of the literary source to create a visual paradox: the viewer is placed in the role of Bento, trying to read guilt or innocence into a static expression.

The 2008 miniseries , directed by Luiz Fernando Carvalho , is widely regarded as a landmark in Brazilian television for its "transcreation" of Machado de Assis's Dom Casmurro