Warfaze All Album ⏰ 📌

67 (excluding re-recordings and compilations).

Warfaze is a legendary Bangladeshi heavy metal and hard rock band that has defined the country's rock scene for over 40 years. Since their formation on June 6, 1984, they have released eight studio albums that bridge the gap between heavy metal, progressive rock, and melodic hard rock.

Warfaze's sophomore album, "Protibad" (2002), solidified their position as one of the leading rock bands in Bangladesh. The album included popular tracks like "Protibad" and "Aashay". The band's third album, "Aashay" (2004), marked a significant departure from their earlier sound, incorporating more mature and introspective lyrics.

A radical shift. Sunny Hasan’s voice was higher-pitched and more melodic than Abidur’s gruff baritone. The music softened dramatically. The title track "Ato Kichu Chaibo Na" is a gentle acoustic rock song with minimal distortion. The hit "Ekhon Onek Raat" (Now It’s Late Night) incorporates Bengali folk instruments like the ektara into a rock ballad.

: A compilation frequently circulated among fans to capture the definitive hits across their active decades. warfaze all album

Widely considered a progressive rock masterpiece, this second album solidified their status as absolute trailblazers. The title track, "Obak Bhalobasha," is an 8-minute acoustic-to-electric power ballad featuring one of the most celebrated guitar solos in South Asian rock history. This record showcased a tighter integration of keyboards and complex time signatures. 3. Jibondhara (1996)

: The album brought back Mizan on vocals and integrated the brilliant guitar wizardry of Oni Hasan. It gave younger fans a high-fidelity rendering of 90s classics.

Hard rock with a conscience. Legacy: Underrated; showed Warfaze refusing to go soft.

Following the release of Alo , founding guitarist Kamal temporarily took a break from the band. However, Warfaze is nothing if not resilient; they recruited Sazzad (of Metal Maze) on guitar and Cezzane (of Artcell) on bass. Kamal eventually returned, and the band erupted back onto the scene with Moharaj —a politically charged, aggressive masterpiece. 67 (excluding re-recordings and compilations)

: Tracks like "Dhupchhaya" and "Jononi" offered a brilliant balance of aggressive rhythm sections and classical-inspired melodies. It was also the last studio album to feature the classic frontline vocalist Sunjoy during the band's initial golden run. 4. Oshamajik (1998)

Many old fans rejected Sunny Hasan. Concerts saw divided crowds—some chanting for Abidur. However, the album attracted a younger, female audience due to its romantic lyrics. Commercially, it succeeded (80,000 copies), but critically it is often called “the most divisive Warfaze album.”

The turn of the millennium brought a major upheaval for the band: vocalist Sunjoy departed. After a difficult two-year search for a replacement, the band recruited Mizan as the new lead vocalist, also adding the talented Balam on guitars and vocals. This lineup marked a rebirth, resulting in the album Alo (Light).

Their self-titled debut was a watershed moment for the Bangladeshi music scene, introducing a heavy sound that was previously unheard of in a pop-dominated market. A radical shift

Nostalgic but refreshed. Legacy: Introduced classic Warfaze to a new generation.

(2011) – The Digital-Age Comeback

It is important to differentiate between the studio albums and the compilation. Although technically released before Shotto , (2009) is a compilation album rather than a studio effort. Sponsored by Nokia, this record was designed to preserve the band’s legacy for future generations.